Their discussion is winding down. Though several students have presented thoughtful arguments and backed them up with evidence from the text, no one has switched sides. What’s really bothering Hamlet in Act 1? According to my students, it’s not really his father’s death or his uncle stealing his crown; in fact, they are firmly split on whether Hamlet is more upset because his mother remarried so quickly – not even two months! – or because she married his uncle. Is the problem her “dextrous speed” or the “incestuous sheets”? Hmm…
I check my watch. Seven minutes to go. Too much time to sit; not enough time to… wait! What am I thinking? There’s always time to do something; it’s just a question of what. My brain whirs. Got it.
“So,” I say, “want to hear about some spying?” I waggle my eyebrows and pull up Act 2, scene 1 on the screen in the front of the classroom. No need for copies of the play; we can do this on the fly. Without warning, I lean in to M – poor kid came in late and ended up in the front row – and ask him how he would feel about spying on my son. Using lines from the play, I encourage him to share a few small lies to see if anyone bites. Maybe they’ll tell him something interesting if he starts off with some slight exaggerations. I suggest to M that he, you know, can pretend that my son drinks and gambles and drabs…
Drabbing is glossed in the text as “whoring”. Not my favourite word, but the students jump on it. WHAT? They are as outraged as Polonius’s servant (unwittingly played by M) is. Why would any father sully his son’s reputation in this way?
“I’d be pissed if my father said that about me,” says one. Others agree.
Ha! I’ve got them where I want them. Quickly, with one eye on the clock, I find a student wearing a zip-up hoodie and ask her to come play Hamlet for a minute. Next, I recruit an Ophelia to “sew” in her “closet” and a Polonius to read a few lines from her seat. Hamlet “unbraces” her “doublet” by unzipping her hoodie. She rolls up one leg of her jeans. She’s wearing boots because it snowed this morning (hello, winter in Ottawa), but we pretend her socks have fallen down. She follows Ophelia’s narration of Hamlet’s actions and the class laughs along. Hamlet’s gone mad.
30 seconds before the bell, I shoo them back to their seats. I look at the class and say, “Now, who was Ophelia talking to again?”
“POLONIUS!” They’re starting to put this together. Wasn’t he just the *#!hole spying on his son? He’s not especially trustworthy – and now he knows about Hamlet…
“Oh, this is not good,” says one student.
And the bell rings.
“We’ll find out what happens tomorrow!” I announce as the class leaves, muttering – another good reason to use every teaching minute I can get.

I want to get on a plane and go sit in one of your classes!
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Hamlet takes *forever* – you can come any time 😉
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I’d call this high engagement by a teacher who has great time management and can think on her feet quickly. You clearly know your content and your students!
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Knowing the content makes a huge difference. There’s NO WAY I could have done this the first few times I taught the play.
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You are making Shakespeare relatable. Your students will never forget the impact of this!
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Just WOW! Fun for everyone—and learning, too?! This is what Folgers always says about Shakespeare: Put it on its feet. You have certainly got them where you want them with the impromptu spying issue.
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Thanks! Lies, spies and a little romance… Turns out Hamlet is more interesting than they anticipated!
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Wild! I’d be all over Hamlet with this kind of teacher engagement. This is expert salespersonship. You truly know your audience so well!
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Doesn’t hurt that I also know the play really well. 😉
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