Alone #SOL22 15/31

“Now I am alone.”
Hamlet 2.2.1

I did not sleep well last night. My brain got all wound up and decided that it was a great time to plan a new unit or two, and my body decided that it was foolish to try to relax when we were just going to wake up sometime anyway. So this morning when everyone else was heading off on another adventure, I begged off.

I come from an all-for-one one-for-all kind of family, so staying behind was really hard. I felt terribly guilty – I kept saying, “I really want to go. It sounds like fun” – and my father, who has organized more outings that we can possibly squeeze into a week, dreamed up multiple ways to include me: “You could nap in the car” and “We can try to come back early.” Luckily, as I brushed my teeth, nearly resigned to joining in, my darling partner reminded me that I am allowed to want quiet. So here I am, alone.

When Hamlet declares “Now I am alone” the players have just left, the stage is empty, and he’s about to give his “O what a rogue” soliloquy in which, among other things, he spends a lot of time wondering what he should do. No one has murdered my father and married my mother (thank goodness!), so my “what next?” is considerably less pressing; I have spent the last hour or so letting go of my lingering guilt about staying home and wondering what on earth I should do.

I am a parent and a teacher during the time of Covid: I am rarely alone for any length of time. In fact, I cannot remember the last time that I was so thoroughly alone – it’s just me, the cat and the dog, and no one is going to interrupt for hours and hours. I’m not in my own house, so no one will call and my internal list of things that I “should” do is shockingly short. Despite that, I’ve needed about an hour of simply sitting to let go.

Now, I am alone. I’ve made a second pot of tea. I am listening to the clock tick and the birds call. Here in this quiet, in this moment of inaction, in a moment I chose for myself, my body is beginning to relax, my mind is starting to unspool. Now I am alone, to fill my time as I wish. Tonight, the players will return and I will be an enthusiastic, even participatory, audience when the stage is full and action inevitable. But for now, I am alone.

Vacation? #SOL22 14/22

Describe your ideal vacation. Does it involve going into a dark, wet, hand-carved, dead-end tunnel with a group of energetic pre-teen boys? If so, today would have been your day.

The last time my children and my nephews were together was July 2019, pre-pandemic. Their reunion during this week of March Break has been, well, loud. In two short days (and today isn’t even nearly over), they have done a “Polar Bear” dip in the lake (54F/12C) – then done it again because their aunt offered them $25 if they do it five times for five minutes and they love money, met their (adorable) baby cousin, convinced their grandfather to take them tubing even if the water is ridiculously cold, gone to (distanced) church, played Dungeons and Dragons (with my partner as their patient Dungeon Master), talked about D&D until we forced them to stop, exhausted their grandparents’ dog (who did not know this much non-stop action was possible), watched 40 gazillion episodes of The Simpsons, and gone on an adventure to Stumphouse Tunnel.

The Stumphouse Tunnel was carved into a mountain in the middle of nowhere South Carolina before the Civil War – apparently as a potential train tunnel. I would be able to tell you more about it, but we didn’t have time to stop and read the signs. We *did* have time to go to the end of the tunnel, climb over top of the tunnel to the peak of the “mountain,” have a picnic, and then go off-trail and clamber down the nearby Issaqueena Falls. The day was gloriously sunny and warm (at least for those of us from Ottawa).

After a few hours of climbing outdoors the kids were almost worn out – but not quite. They contemplated Laser Tag but opted to come home. We’ve played the family version of Cards Against Humanity and some of the adults (ahem – me) took a nap, but there’s still spaghetti pie to make (it’s pi day) and apple pie to eat and at least one movie to watch.

I’m exhausted and as happy as I’ve been for a while: writing on a couch with a cat curled up next to me, listening to boys laughing in the next room, to one boy and his grandfather cooking, to my partner and my stepmother deep in conversation.

Happiness sneaks up on us, doesn’t it? Even when your vacation day involves hiking in a cold, wet tunnel.

Make Writing #SOL22 13/31

I suspect that I found Angela Stockman through my knitting and reading (and all around awesome) friend Lisa Noble, though I honestly can no longer remember. I’ve lurked around Angela for a while – reading her emails, checking out her free units. Not only is she incredibly generous and thoughtful, her specific thinking and doing around writing intrigues me to no end.

Lately, I’ve been reading her work on using “loose parts” to teach writing. I find it fascinating, but each time I think about using it in the classroom I balk: I’m just not very spatial, I tell myself; I haven’t tried this myself, I worry, how will I explain it?

Angela writes, “Offer writers a variety of loose parts to build their ideas, responses, and drafts with.” In this phrase alone, I see all the reasons that loose parts fit with my writing pedagogy: play, multimedia thinking, draft, response… still, I couldn’t do it. Once I almost brought in a tray of thingamambobs, but then I didn’t.

On Friday, a student asked to conference with me about her personal narrative. She knew what she wanted to say, but she couldn’t figure out how to tell the story. She could articulate that the beginning was too long, “too much exposition”, but how could she tell the story without the background? She was stumped.

As we brainstormed, I found myself wanting to take scissors to her work – to physically move pieces around and see what might work where, but of course the writing was on the computer and somehow we couldn’t quite *play* with it. Play – PLAY! Of course!

I reached over to my desk and found some loose parts – a few pen caps, some paper clips; some random yarn (I have no idea – don’t ask) and a box of tacks. I plunked them down on the table where we were working. “Ok,” I said, “bear with me. What if these three pen caps were the aunties…”

We named parts, moved them, played around, and she ended up with this structure:

The final essay structure, minus a pen cap.

“This is great!” she said. “I can see exactly how to do it!”

I could, too, so I snapped a photo as the bell rang and thought, loose parts play. Got it.

Next step: figure out how to incorporate this on purpose. I have a feeling I won’t have much trouble with this now.

Many thanks to Angela Stockman, who doesn’t even know me, but who nevertheless just made my teaching better than it was before. Amazing. (And thanks to Lisa, too, for her neverending encouragement.)

Hot tub #SOL22 11/31

“Write about the hot tub,” they say. I’ve done a quick write in front of them, randomly listing childhood memories. Trampoline and Hide-n-Go Seek haven’t piqued their interest in quite the same way as hot tub.

I laugh. “Sadly, there’s not much to say. We had a hot tub in our backyard when I was in high school… nothing really happened there.” I trail off and end up writing about the trampoline after all, shaping the story, modeling various openings, playing with structure.

I don’t tell them that images of the hot tub bubble in the back of my mind. Look: my sisters and I are playing in the warm water, snow on the deck. There: I am 13 and awkward, wearing my bubble gum pink bathing suit, my hair pulled back – the photograph reveals a liminal beauty that I can only now appreciate. Over here: My birthday party, fifteen-year-old girls full of high spirits and loud laughter, though in every photo of the evening our heads are hidden in our arms, as shy away from the very lens we crave. “We’re in our bathing suits!” someone had squealed and the camera was put away.

Was that the night the boys crashed the party? Possibly, but even that phrase implies a wildness we didn’t embody. Maybe I should rewrite it and say, “was that the night that Michael and some friends came over while we were outside and we sort of pretended to scream but mostly chatted?” Or maybe both ways of telling the story are true.

With my sisters in the snow

How disappointed they would be with the truth: “The hot tub story” isn’t really a story, and it isn’t salacious. The hot tub is evenings with family, breath-holding contests with my sisters, a science fair project done with my dad (about the chemicals – the only science fair I ever won. Figures that it was about that hot tub.) I know what my students expected to hear when “hot tub” appeared in my list. Instead it’s moments of connection with my family and friends, moments from a time so distant it seems almost unimaginable now.

On the other hand, the trampoline – now, *that’s* a story.

Fatigue #SOL22 10/31

When she first came to visit, I wasn’t surprised; March Break was coming, and she often arrives around this time. Most days, she showed up in the late afternoon, hung around until bedtime and then left, sated. I reminded myself that there was no point in pretending she wasn’t coming, no point in ignoring her – better to accept her visits and maybe go to bed a little earlier than usual to help send her on her way.

But since the beginning of this week, five days before break, she’s been here every day. Some days, I swear she shows up first thing in the morning and lingers until lights out. I can’t shake her. I’ve tried warm baths and early bedtimes. Still, she’s there the minute I open my eyes, laughing. “You thought I’d leave?” Her shoulders shake as she chuckles, “You know better.”

At work, she’s been messing with my calendar: every day this week I’ve found myself accidentally double-booked for at least one meeting. I’m usually very good with time management, so I’m sure it’s her fault. And she’s making me very grumpy. I’m trying to ignore her, but she’s *always* there, and I have to admit my temper is short. She’s even infiltrated my writing – I’ve been posting later and later even though I’m often a morning writer.

The good news is that March Break starts at the end of the day tomorrow. She may try to accompany me on vacation, but I have a feeling that some serious family time, a lack of commitments and, yes, some morning sleep-ins will let her know that it’s time to leave. After all, I much prefer her more pleasant sister, Energy.

Observation #SOL22 9/31

“They were all on-task the whole time; they were literally all sharing their stories.”
I try not to blush – can one intentionally not blush? – and say, “Well, we’ve been practicing.”

Today, a colleague from my previous school came to observe and collaborate. (Pause for a moment and cheer for her principal – and mine – for deciding this was important.) I like to think of my classroom as open, and I regularly say that anyone is welcome at any time, but the truth is that most teachers spend most of their career playing to an audience comprised entirely of students, and I am no exception. I wasn’t nervous, exactly, but having a colleague in my room definitely heightens my senses.

Right away, I noticed that my instructions for one activity weren’t as clear as I had hoped. I noticed that I move around the room an awful lot, and that I am very comfortable with students moving, too. I noticed that I am (ridiculously) enthusiastic about student writing, and I recognized that this probably makes it easier for students to share. Mostly, however, I noticed that my students were willing participants in even unfamiliar activities, like stations that asked them to tell their narrative aloud, read examples of narrative essays or write first drafts. The last time they did “stations” was probably elementary school, but they humour me.

As a teacher I am so obviously my own worst critic that even my students (I see you, Leah & Nadiya) have commented that I should be easier on myself, but I knew that today’s class went well. After lunch, my colleague and I debriefed, which is when she pointed out that even at the “talk” table, everyone was on task. I explained that we had practiced this: we have shared stories in pairs and small groups; in class today, I referred to research we’ve already discussed, research which suggests that talk supports writing; we have also practiced providing effective feedback for other people’s stories. Because of my self-criticism, I am teaching some of these skills more effectively than I did last semester.

If I keep writing, I will find the flaws in the lesson – I misjudged the length of the final activity and there were those imperfect directions at the beginning – but I know that no lesson will ever be perfect. Today was pretty darn good, something I can recognize mostly because I saw someone seeing me teach. And I’ve realized that I’m pretty proud of me – which is not something I let myself say very often – so I thought maybe I should share that.

Talking with my colleague today was not only a pleasure but also a moment of reflection and growth for both of us. Think of how much teachers could grow if more schools prioritized time for observations and collaboration. Wouldn’t that be something?

Losting #SOL22 8/31

Near the beginning of each semester, my students write 100 word memoirs (thanks, Kittle & Gallagher). These never fail to knock my socks off, and this year that’s even more true. At my new school, many students have clear memories of coming to Canada, and many of them are continuing to learn English. Combined these lead to some great moments. For example, below, Tung wrote about his first time in a Canadian high school. Pay particular attention to the word “lost” – we’ll come back to that.

Walking through Canadian high school for the first time was like walking, lost, in an old tunnel surrounded by unknown creatures. The low-ceilinged crowded hallway was an ant’s nest of students trying to sprint through the narrow corridor. The thick moss-green bulletproof door had only a small glass cut-out, covered with an English-only poster. This prevented my curious eyes from spying on the Canadian students in the classroom. Everything was beyond my imagination. Each step I took, one rhythm faster my heart beat. What was I getting myself into? Would there be a light at the end of this tunnel? 

Tung, Grade 12
What I was seeing/ What was in my mind

He added pictures – including some pictures of his school at home. It’s much, much brighter and airier than our school and I can safely guess that it has never seen snow.

Watching Tung try to capture the feeling of that first day was fascinating. Some descriptions came easily – he knew he wanted a tunnel and he knew the door needed to be moss-green and bulletproof. Those things never wavered. Other things changed – coming in, getting cut out, changing form. To me, the most interesting thing of all was the word “lost”. He really wanted it to be “losting”.

We chatted in the back corner of the room – the place he’s chosen for now – about this word. Somehow lost just wasn’t quite what he was looking for. He had a sense that losting wasn’t a “real” word, but he wanted the word to be active. He wasn’t simply lost, he was wandering, loose, casting about, feeling the sense of not fitting in, not knowing if he belonged. He was losting.

I couldn’t help but think of my own child, then quite small, crying as his grandmother left after another wonderful visit. He threw himself into her arms and said, “It’s your fault, the goneness.” The goneness. Really, it’s the only word for the feeling.

I told Tung he could keep “losting” – that it made sense to me and described what he was feeling – but English isn’t thoroughly his yet; making mistakes and making new words are still too intertwined to tease one away from the other. Still, I expect that the word exists now. I suspect that someday, probably soon, I will see a student wandering in the hallway with a particular look in their eye, and I will know that they are losting. When I do, I’ll try to help – because the goneness can be overwhelming.

Join us – or just come to read – as we blog every day in March at twowritingteachers.com

Letting Go #SOL22 7/31

In the front of the room, Mr. P was talking. Technically, this was “my” class – I was the assigned teacher – but I’d stopped teaching and started functioning as a co-teacher/ support a few days earlier. Now, I was moving about the room, answering quiet questions, checking on student work, when one of the Black students touched my sleeve. I leaned down to hear her question. Without taking her eyes off of Mr. P, she whispered, “Thank you.” I knew exactly what she meant.

***

One week ago – on day one of this challenge – I wrote about the moment when Mr. P and I decided to team teach a class. And not just any class: we decided to team teach a new interdisciplinary course called “Anti-Black Racism in the Canadian Context.”

Some background: I am an experienced teacher with a permanent contract in our school board, and I am white; he is an experienced teacher who is not yet a permanent teacher in our school board, and he is Black. I grew up in the US; he grew up in Jamaica. Last June, when courses were being assigned, there was only one – ONE – Black teacher in this school, and he was not able to teach this class, so the principal asked me. I’m not Black, but I have been working towards anti-racism; filled with both trepidation and excitement, I said yes. To be honest, I was kind of proud that he thought I could do it.

Over the summer and the first semester, I read a lot, talked a lot, and thought a lot about how I could teach an Anti-Black Racism course to a group of students from many racial backgrounds. I researched and learned. I was determined to do my absolute best. The course began on a frigid February day, and I started by acknowledging my precarious position. No matter what I said or did, I was still a representative of white authority standing at the front of the classroom. Even though I planned to have an inquiry-based course, the structure of our system means that I was still “in charge”. It was uncomfortable, but we could live with discomfort.

And then came Mr. P. He had been hired to cover a position at our school this semester. We started chatting about literacy instruction almost the moment we met. Each of our discussions was better than the last, our pedagogy in synch, our hopes and expectations for students overlapping. He is wildly knowledgeable and wonderfully expressive. Within days, he was popping into the classroom; days after that, he started co-teaching with me. By Friday of last week, he was leading the course, and I had stepped into the background.

I’m pretty opinionated about what constitutes good teaching, but watching what happened when a person with lived experience of racism taught the course was humbling. I have been taught by Black educators, listened to Black colleagues, sought out Black perspectives. I am aware of the need for diverse voices – especially Black voices – in our schools. I knew all of this. But – oh, how I wish you could have been in the room last week when he talked about Bob Marley or recognized a Jamaican poet I had quoted. I wish you could have seen the moment that he addressed the racist coverage of the war in Ukraine. I wish you could have heard him talk about what it was like for him to come to Canada as a Black man. I can teach all sorts of things, but I can’t teach that.

Friday afternoon, the principal came by to tell me that Mr. P was needed in the room where he was originally assigned – a support position: valuable, but flexible enough that he had been able to spend a week in our class. Still, that couldn’t last forever, and I knew what had to happen: I asked the principal to transfer the course into Mr. P’s name. I didn’t know that the change would happen right away, but it did. This morning, with little warning, I said goodbye to that group of students and to the Anti-Black Racism course.

I’m a little heartbroken – if one can be a little heartbroken. I would love to keep teaching the course for many reasons. I think I’m mourning my preparation. I know I’m mourning my own chance to learn from Mr. P. I’m absolutely mourning the students and the connections we were making. I love the classroom, and I will spend the rest of this semester with only one traditional class.

On the other hand, a highly qualified Black teacher is leading a diverse group of students to a new understanding of race and racism while he shares a powerful lived experience. And that is worth celebrating.

Brat #SOL22 6/31

I’ve been putting things off all day, trying to do what I’ve deemed necessary before I allow myself to do what I find fun. This strategy has mostly been making me anxious as time slips through my fingers: it’s almost 5:30 and the chore-like bits aren’t done. Luckily, I just found a slice of life so good that it simply must be shared, so I’m giving up on cleaning and starting on fun. Here, take a peek into my life at the end of third grade.

Just in case you can’t read my almost-fourth-grade handwriting, here goes:

AMANDA JUNE 8, 1980

Dear Grandpa, and grandma
I passed into 4rth grade.
So far I’ve lost 7 teeth and one’s wiggiling.
I hope you have a nice day! I got some new thongs yesterday. (they are green)
I hurt my big toe too. (yesterday)
My sisters are real brats.
Even my mother is a brat.

I didn’t even bother to sign it – though I did draw a giant smiley face. I guess I figured they would know who I was – the one who wasn’t a brat.

#SOL22 5/31

It was only the beginning of second period, but all of us were already over this day. Before classes had even started, a few teachers had received an email threatening a school shooting. The actual threat level seemed low, but just in case, the police had been called, the doors locked, a “shelter in place” instituted. Then, the internet went out. And it was Friday. We wondered if the universe was laughing at us: “Good luck at school today,” it snickered.

The grade 12 students were unimpressed. Someone had flicked off the lights as they entered the room – “Hope that’s ok, Miss” – and most people were slumped, exhausted, onto the tables. So much for any lessons I had planned. On the other hand, thanks to the power of routine, almost everyone had a book out.

“I have an idea. You read, I’ll plan something that makes some sort of sense.”

“I can set my watch for 15 minutes,” one student volunteered.

“Miss, can it be 20? Please? I mean, the internet is down and…”

I looked around the room. Heads were nodding. “20 it is,” I declared.

They read; I planned. Then I read, too. 20 minutes passed. C’s watch beeped. An impassioned “NO!” slipped out of a student as she turned a page. “I’m so close to the end of the chapter!”

“Me, too!” “Yes!” “Please, just a few more minutes…”

Of course I said yes. And we all read just a little bit more. And our Friday was just a little bit better. Not perfect, but better.